List of Syriac Chants
A
B
- B'dehalsa veeqara
- B’eda d’yawman (On this festival day)
- B’endan sapra (In the morning)
- B’had min yawmin (On one of the days)
- Badnahaym Sapra lakumariyashabheenan
- Baqyamta (In Resurrection)
- Bar Maryam (Son of Mary)
- Barek Maar (Bless O Lord)
- Baslos Kene (Marthyanu Raksha Pakarnnawane)
- Breek Hayla Kasyadashrabgarmayhon
- Breekeethon
- Brik hannana (Blessed is the merciful one)
- Brikitho l'Marya
- Briku Rambuku Marya
- Brukshe Dalaha (Benediction)
- Bsapra sahade lkethala (Mariya sapra theshmakal)
E
- Edta Qay le(h) Osana
- Emare d'alaaha (Lamb of God)
- Emme Dalahan ( Mother of God )
- En Marya Alaha
- Engartha
- Ennana Lahma (I am the Bread that came down from heaven)
- Eram Marmak
- Esthappanos (Stephen)
- Etha pus lek (Farewell, O Church)
- Etpan al slota (Turn to the prayer)
- Evangelion
- Ewarek l' marya
- Exchange of peace (slama amkon)
H
J
K
L
M
- M’haymneenan
- M’šabahīnan
- M’Samsana d'awdi
- M’siha Alahan
- Manay Hade (Mruthiyute kotutham kottakalellam/ Parlokathin)
- Mār Wālāh
- Mar'ya mannu Nemar (Psalm)
- Maran Iso Malka Sgeedaa
- Marayor paawe
- Maria Alaah
- Marth Mariam thuwaaneesaa
- Māryā kolhōn hāwbay (Lord, all my faults)
- Maryam b'sultha
- Māwhawthâ d’thaibūthē
- Misiha Paroqe d'alma
O
P
S
- Sagdinan mar
- Sahade kandeeshe malpanedhaymanutha (Wednesday Sapra)
- Sahade Vaython Thaggare
- Sambah l marya (praise the lord)
- Sambah lesan (Praise my tongue)
- Sambah sandiqe
- Sandikka mar Yawsep (St. Joseph hymn)
- Sapra (The Morning Prayers )
- Shlama sahade valgarmaygon (Thursday Sapra)
- Slam lek maryam (Hail to you Mary)
- Šlāmā amkōn (Exchange of peace)
- Slama w saina
- Sliwa dahwa lan (The Cross that became for us)
- Slosak Avoon Thehvelan
- Slotha
- Slotha Daslothe
- Sma Aalaha
- Sma mar bkhaalaa daslosan
- Suwha l awaa (Commemoration hymn)
- Suwha Leh
T
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- Lāk Māryā
Lāk Māryā
ലാക് മാർയാ
| Call Number | EC-0074 |
| Title | Lāk Māryā |
| Category | |
| Liturgical Context |
Aramaic Project Recordings:
Christian Musicological Society of India. Do not use any part of this article without prior written permission from the Christian Musicological Society of India. For permission please send request to
