"Qurbana" in the chant, ETHA PUS LEK.

The meaning of Qurbana as used in the Syriac chant - Etha Puslek.
Dr. Joseph Palackal, CMI. (Dharmaram college 2014).

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AP 230 - The meaning of "Qurbana" in the chant, ETHA PUS LEK. Dharmaram college.
Call Number

AP 230

Part Number Part I - Syro Malabar Church
Title The meaning of "Qurbana" in the chant, ETHA PUS LEK. Dharmaram college.
Duration 6:04
Place of Recording Dharmaram College, Bengaluru
Date of Recording 18 July 2014
Youtube URL https://www.youtube.com/watch?v=tSUIZRiGhxU
Video Segment (s)

 

Notes

The meaning of "Qurbana" in the chant, ETHA PUS LEK. Dharmaram college. (2014)

From a lecture on Christian Musicology of India at Dharmaram College. 18 July 2014. 7 PM The word Qurbana takes special meaning in the famous chant Edta Pus Lek Baslama (O Church, remain in Shanthi). This chant is a musical drama in eight stanzas and is a golden treasure in the Syriac music repertory. The leading narrative voice is that of the deceased priest. In the middle of the chant, the narrative voice changes; the congregation bids farewell to the deceased priest. The musical setting is syllabic with melismatic ornamentations at the end of selected phrases. Stylistically, the melody is similar to that of Qambel Maran. Fortunately, we have documented the Syriac and Malayalam versions of the chant in the voice of several priests, including Fr. Abel Periyappuram who created the Malayalam version that is in use currently in the Syro Malabar Church. See more information at Joseph J. Palackal. "The Survival Story of Syriac Chants among the St. Thomas Christians in South India." In Music and World Christianities. Oxford University Press (2016). https://www.oxfordhandbooks.com/view/...

​ A comparative study of the text and melody of Etha Pus Lek and Witawangunnen." Joseph J. Palackal. "The Survival Story of Syriac Chants among the St. Thomas Christians in South India." In Music and World Christianities. Oxford University Press (2016). https://www.oxfordhandbooks.com/view/...

Joseph J. Palackal, CMI
New York
21 February 2021

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Christian Musicological Society of India is an international forum for interdisciplinary research, discussion, and dissemination of knowledge, on the music, art and dance of about thirty million Christians in India, who belong to a diverse set of communities and linguistic groups and follow a variety of liturgical traditions some of which date back to the early Christian era. Founded in 1999 by Dr. Joseph J. Palackal CMI, the Society hopes that such researches will draw attention to the lesser known aspects of India in connection with the rest of the world.

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